Moshe Barasch: Wunderkind & Art Historian

Begger – Moshe Barasch (Czernowitz 1920 – 2004 Jerusalem)

Barasch was born to Menachem and Gusta Barasch and grew up in Czernowitz. […] His father was a Zionist who introduced his son to the tradition of Haskala, the Jewish Enlightenment. The young Barasch showed himself to have substantial art talent. By age 12, he had already exhibited his drawings and paintings in Czernowitz, Prague, Budapest and Boston, which he visited. He wrote daily in his notebooks, one of which was a diary. As a member of the Haggana, the Jewish military organization later to become the Israeli army, he used his artistic skills to forge passports for fleeing Jews. […] Barasch was Senior Visiting Fellow at the Harvard Univ. Center for Italian Renaissance Studies (“I Tatti”), Florence, in 1969. He was appointed Jack Cotton Professor of the History of Art and Chair of of Institute of Fine and Performing Arts, Hebrew University in 1971, which he held until 1975, intermittently acting as a Visiting Professor and Research Associate at New York University between 1970-79. He was Senior Fellow at Cornell University’s Society for Humanities in 1981and the same year Distinguished Visiting Professor at the Pennsylvania State University.  In 1982 he taught as a visiting professor at the Freie Universität, Berlin. He published the first edition of his collected documents on the history of art theory in 1985. Between 1986-88 he taught at Yale University.  In 1987 he published his Giotto and the Language of Gesture, major contribution to the literature on that artist. He became emeritus in 1988.  In 1996 he was the recipient of the Israel Prize, and elected corresponding member of the Heidelberg Academy of Sciences. Barasch was the first Israeli art historian to attain worldwide recognition, lecturing widely at institutions in Europe and the United States (Freedman). […] His lectures and books, many of which were written in Hebrew, helped to develop the art historical terminology in that language and drew attention to many of the themes that were to attract scholars in the humanities. Three generations of Israelis grew up on the books he wrote, edited.  He was also instrumental in having important art history texts translated into Hebrew. Francis Peters’ 1985 book on Jerusalem was dedicated to him and his wife.

Artibus et Historiae, Vol. 9, No. 17 (1988), pp. 127-135

Reflections on Tombstones: Childhood Memories

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2 Responses to Moshe Barasch: Wunderkind & Art Historian

  1. romers says:

    This is a magnificent article — thank you for finding it! There are many splendid examples of the same types of carvings from the period of the first Czernowitz cemetery on our website in the albums at:
    http://czernowitz.ehpes.com/czernowitz11/cemsplash.html

    jerome

  2. Heidelinde Pollerus says:

    I’m happy to hear and see from Moshe Barasch. I have him discovered in the Czernowitzer Deutsche Tagespost, I think, 1938, as I worked for my diploma in history of art about Wladimir Zagorodnikow. I was so sorry, that I could’nt have contact with Moshe Barasch, because he died, as I have heared about his further way of life in Jerusalem. I never saw a picture from him and now I can see at your page a drawing from 1938. Thank you very much! And for Isidora and Wladimir Zagorodnikow, Kolnik, Reder, Loewendahl and so on. Is there a catalogue to buy?
    Kind regards
    Heidelinde Pollerus, Graz, Austria

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